Besides that our Foley works great in the mix, each file is named and can be easily found in the session.
We value your time!
Our advantages
Fast and free revisions
1300 sq. ft. Foley stage
Studio
Flexible with any budget
Flexibility
Fast and
free revisions
free revisions
Speed
Respect for deadlines
Timing
Case 1
Apex Legends | Stories from the Outlands – "Northstar"
Check the quality of FoleyArt
How it sound?
We are happy to present our latest work from the gaming world of Apex Legends. We worked with the Source Sound team to develop an immersive audio solution for this short film.
Based on the film’s genre and consisting of fairly intense music, we wanted to create a full-bodied and expressive Foley, that would sound fat but be perceived organically in the mix.
To emphasize the contrast between the characters, we paid special attention to various details - from heavy fighters with weapons to the light footsteps and movements of a small girl.
In a desire to achieve a big and bold sound of footsteps on metal surfaces
in addition to the main mics we used subharmonic synthesizers and hydrophones placed on a resonating plate.
in addition to the main mics we used subharmonic synthesizers and hydrophones placed on a resonating plate.
Watch with sound
A large Foley stage (22 000 cubic ft.) is equipped with a 140 sq. ft. projection screen and features more than three dozen combinable surfaces and pits along with various acoustic zones for recording both exterior and interior scenes.
What do we use?
Take a look at our studio
01.
Designed solely for Foley at the Dovzhenko Film Studios – the heart of Ukraine cinema, our studio was recently reconstructed and upgraded using all available nowadays knowledge and technologies to comply with modern requirements.
Foley Stage
A large Foley stage (22 000 cubic ft.) is equipped with a 140 sq. ft. projection screen and features more than three dozen combinable surfaces and pits along with various acoustic zones for recording both exterior and interior scenes.
What do we use?
Take a look at our studio
01.
Designed solely for Foley at the Dovzhenko Film Studios – the heart of Ukraine cinema, our studio was recently reconstructed and upgraded using all available nowadays knowledge and technologies to comply with modern requirements.
Foley Stage
A comfortable, future-proof workplace, ready for forthcoming upgrades and any cutting-edge technology, along with a cozy lounge zone just next door makes for enjoyable and productive work.
Using the “virtually no-compromise" non-environment acoustic concept and the high-class, flush-mounted monitoring system gives us confidence that no single flaw will pass unnoticed and reach our clients.
02.
Control Room
What do we use?
Nice monitoring and QC
A comfortable, future-proof workplace, ready for forthcoming upgrades and any cutting-edge technology, along with a cozy lounge zone just next door makes for enjoyable and productive work.
Using the “virtually no-compromise" non-environment acoustic concept and the high-class, flush-mounted monitoring system gives us confidence that no single flaw will pass unnoticed and reach our clients.
02.
Control Room
What do we use?
Nice monitoring and QC
We checked a whole heap of different mics, pre-amps, and other stuff for the finest effect. During blind test sessions, we picked gear with the most pleasing sound and consistent results.
Traditionally "proven” solutions did not satisfy us, nor did allow us to use the studio’s potential completely. So we decided to start our hunt for the “ideal” sound. While selecting the equipment, we carried out many tests to identify the products working the best in our studio.
03.
Equipment
What do we use?
The handpicked equipment
We checked a whole heap of different mics, pre-amps, and other stuff for the finest effect. During blind test sessions, we picked gear with the most pleasing sound and consistent results.
Traditionally "proven” solutions did not satisfy us, nor did allow us to use the studio’s potential completely. So we decided to start our hunt for the “ideal” sound. While selecting the equipment, we carried out many tests to identify the products working the best in our studio.
03.
Equipment
What do we use?
The handpicked equipment
And our list of improvements is not limited just to the physical - we use a variety of plugins to achieve sounds that are not possible from the conventional recordings alone.
At the moment, using and mixing 4-6 mics in real-time gives us a lot of freedom to control the perspective and dynamic diversity to match the picture precisely.
Inspired by a meeting with Nicolas Becker and learning one of the key aspects of Foley recording in France particularly, we put an extra mic in addition to the one we had then and ... can’t stop yet.
04.
Foley Mixing
What do we use?
Instant sound integration
And our list of improvements is not limited just to the physical - we use a variety of plugins to achieve sounds that are not possible from the conventional recordings alone.
At the moment, using and mixing 4-6 mics in real-time gives us a lot of freedom to control the perspective and dynamic diversity to match the picture precisely.
Inspired by a meeting with Nicolas Becker and learning one of the key aspects of Foley recording in France particularly, we put an extra mic in addition to the one we had then and ... can’t stop yet.
04.
Foley Mixing
What do we use?
Instant sound integration
In addition to a really big and constantly grown props collection - this stuff gives us the power to find the appropriate sound every time in any situation.
Last but not least things to achieve the “right" sound are more than a hundred shoe pairs, built-in doors and windows, a full-size bath, and a huge (70’000 cubic ft.) steel frame swimming pool for epic water effect recordings.
05.
Foley Stuff
What do we use?
A huge props collection
In addition to a really big and constantly grown props collection - this stuff gives us the power to find the appropriate sound every time in any situation.
Last but not least things to achieve the “right" sound are more than a hundred shoe pairs, built-in doors and windows, a full-size bath, and a huge (70’000 cubic ft.) steel frame swimming pool for epic water effect recordings.
05.
Foley Stuff
What do we use?
A huge props collection
Words from our customers
What do they say?
I had the pleasure to work with foleyart on several projects. In the Netflix Series Unorthodox they made the studio shots come to life with great sounding footsteps and dramatic creaking bedsprings. Their recordings sound both realistic and cinematic, so it fits perfectly to the dialogue track and the Sound FX recordings are a great asset for Sound Design.
The team at FoleyArt always delivered very effective and nice-sounding recordings that sit very well in the mix. And I was always impressed by the pleasant contact and overall professionalism regarding schedule, communication, responsiveness and finance. Keep it up!
I was thrilled to work with Victor and his team. The foley sounded really great and natural. They provided a variety of options for crucial dramatic elements which was helpful. They are creative professional and very cooperative. It was a real pleasure working with FoleyArt studio and I hope there will be more collaborations to come.
Great communication, fast turnaround and good quality - it's always a pleasure to work with Victor and his team.
We'd like to thank you for many projects now, we appreciate your effort and the quality of your work very much. There is never any doubt that you could not deliver in time which is super important in our very tight schedules.
I recently had the opportunity to work with Victor Shcheglov of FoleyArt for a French/Ukrainian co-production: SHTTL. The movie is a continuous shot, set in a Ukrainian village in 1941. Communication with Victor and his team was great, and we received first rate Foley for a movie that required a lot of small details, precision and good sounding Foley. The tracks were perfectly in sync and sounded great. I have been recording Foley and Mixing for nearly 30 years, and what I got from FoleyArt was top notch and on par with the best.
Working with FoleyArt has been one of the best decisions we’ve made. Their work is of the utmost quality and their sounds are perfect fit. Whenever we have a big project that requires Foley, they’re one of our first calls we make.
Companies that trust us
Who do we work with?
Hello! nice
to meet you :)
Meet our team!
Our team is celebrating our 13th birthday in 2022, yet we’re still inspired like it’s just the beginning. We're fond of unusual tasks and do our best to attain perfection, no matter how extraordinary the challenge we take up. Our goal is to create Foley to implement the unique idea of each film script, to be able to discover the characters’ individual features.
Staying open to change and being frank with ourselves, our clients and colleagues are our fundamental principles. We’re always ready to team up with creators all over the world and design unique sounds for each story we work on.
We’re an independent company, created by positive thinkers.
Let's make something wonderful together!
Foley mixer & co-founder
Eduard Zemlianoi
Oleh Tarasenko
Foley artist
Danylo Babiak
Foley mixer
Foley artist & co-founder
Victor Shcheglov
Our achievements
Awards, wins, and nominations
German Film Awards winner (2019)
Styx
56th CAS Awards nominee (2020)
Hitsville: The Making of Motown
68th MPSE Awards nominee (2021)
Unorthodox
What do you need to know
Answer your questions
We understand the importance of deadlines and always strive to complete projects within the established timeframes. Here are the estimated turnaround times for recording Foley for various project types:
- For a 90-minute film with average complexity, we typically require 12-15 working days to complete recording and editing.
- 50-minute TV series episode generally takes 4-5 working days.
Please note that these turnaround times are estimates and may fluctuate based on your project's complexity and size.
If you have a time-sensitive project and require prompt assistance, don't hesitate to contact us. We will make every effort to find the most suitable solution for your needs.
- For a 90-minute film with average complexity, we typically require 12-15 working days to complete recording and editing.
- 50-minute TV series episode generally takes 4-5 working days.
Please note that these turnaround times are estimates and may fluctuate based on your project's complexity and size.
If you have a time-sensitive project and require prompt assistance, don't hesitate to contact us. We will make every effort to find the most suitable solution for your needs.
Throughout the project, we'll make sure to keep you in the loop about our progress, sharing regular updates and reports on the Foley recording and editing process. If you'd like, we can also send you in-progress versions of the Foley tracks, so you can follow along and be part of the journey every step of the way. We always appreciate your feedback and are happy to make any changes needed to create the best possible outcome together.
We'll supply the completed Foley work as a well-organized Pro Tools session with precise editing. Our team is dedicated to recording and processing the Foley so that it harmoniously integrates with other audio elements in your mix. To save you time and effort, we'll clearly label each file, allowing you to easily locate and use the specific sounds you need. By streamlining this process, you can focus on mixing and crafting an exceptional audio experience without any unnecessary time spent searching for the right sounds.
Of course! We're more than happy to tailor our Foley services to your specific needs, whether it's just footsteps, props, or anything in between. Simply send us a spotting session, and we'll use that to evaluate the scope of work and provide you with an accurate cost estimate. We're here to help you bring your project to life with the perfect balance of Foley sounds.
Let's make something wonderful together!
Contact us!
Adress:
Peremohy Avenue, 44,
Kyiv, 02000, Ukraine
Peremohy Avenue, 44,
Kyiv, 02000, Ukraine
Social networks:
E-mail/Messengers:
If you have any questions or would like to discuss your project, just get in touch.
Always in touch
If you have any questions or would like to discuss your project.
Hello! :)
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Our team is celebrating (is going to celebrate) our 13th Birthday in the coming 2022 year, but we are still inspired like it is just the beginning. We're fond of unusual tasks and do our best to attain perfection, no matter how extraordinary is the challenge we take up. Our prime directive is to create Foley to implement the unique idea of each film script, able to discover the characters' individual features.
Remaining open to change, being frank with ourselves, with our clients and colleagues are our fundamental principles. We stand ready to cooperate with creators all over the world to perform the unique sounding for each story we work on.
Let's make something wonderful together!
Remaining open to change, being frank with ourselves, with our clients and colleagues are our fundamental principles. We stand ready to cooperate with creators all over the world to perform the unique sounding for each story we work on.
Let's make something wonderful together!
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